The Eruption of Vesuvius, Sebastian Pether 1825
eros
Morning Wood
after 'Norwegian Wood' by Lennon/McCartney
I dreamed of a boy
I wish I could say he dreamt of me.
He stood in my room
Isn’t it good, morning wood.
He told me to watch
as he took off his clothes one by one.
I couldn’t say no
when he promised me that we’d have fun.
I lay on my back watching the show
fearing he’d go.
He was down to his briefs when he said,
‘It’s time for bed'.
He said, ‘You’re quite old, and me,
I’m still in my teens.
I’ll do anything that you like
but it’s all in your dreams.’
Then, when I awoke, not so cool,
he’d gone to school.
So I had a long lie
Isn’t it good, morning wood.
Let’s Dance
From Unholy Verses, Sacred Songs
I was born into this body, I can twist and shout
I’m happy being me - only one doubt:
I’m sure
There’s no door
I came in by the entrance but there’s no way out.
I’m stuck inside this body, it takes its course
Has a mind of its own, obeys its own laws
Can’t you see?
You set me free
You can have mine if I can have yours.
When we get together, I feel real emotion
Like flying in space or swimming in the ocean
Let’s dance
More than once
I only come to rest when we’re both in motion.
I’m fighting with my body, it pulls me in two
I want to be alone with it but that won’t do
We meet
Real neat
The thing about my body is, it leads me to you.
I’m lost inside my body, but baby, you
Are my magnetic north, its true
No doubt
I’m going south
Whichever way I turn, my needle points to you.
When we get together, I get a special feeling
Lying or standing, crawling or kneeling
Let’s dance
More than once
When we’re on the floor, my head goes through the ceiling.
When we are together, the waves start crashing
I’m out of my depth in all this passion
Let’s dance
More than once
It’s the oldest occupation and the latest fashion.
Published in an untitled student zine by artist and designer
Bevin Richardson
The Fool
He walks on by in his tight white pants
that handsome boy, so arrogant –
self-sufficient, thinks he's cool,
not knowing he needs me – what a fool.
He glides past, aloof as a swan,
grown like a man, cruel as a child,
not pausing even to toss me a glance
let alone one of his heart-stopping smiles,
leaving me desperate, down in the dirt,
scars on my soul and stains on my shirt.
His pretty white bottom moves off into town:
once I was him, now an old clown.
Shorts
or, The Lovesick Student
They’re soft, smooth and silky
and though they’re made for sports
I just want to make love to
my tight white football shorts.
I love them clean or filthy
long or short, all sorts
old and faded, young and fresh
my bulging little shorts.
I eye well-fitting uniforms
sailors in the ports
firemen, guards and bell-hop boys
squeezed into shorts.
Everyone’s gone swimming
I just have steamy thoughts;
it’s a sunny day but I won’t play
I’m inside with my shorts.
If they come to call me
I’ll say I’m out of sorts
I don’t want to come outside
I’m coming in my shorts.
But if you teach me kindly
and give me good reports
and love me too, I’ll go for you –
have me in my shorts.
Pan and Daphnis*
I am pipe-playing Pan, libidinous
satyr, randy old goat, crafty, ancient
as hills, guarding the irrepressible
fountain of youth that wells within, its bore
the thrusting trunk of a tree that seeds
ten thousand stories, songs, imaginations.
And I am innocent Daphnis, virginal
country boy, eager to please, all-too self-willed.
Attracted by the lure of the nymphs of this world –
acceptance, popularity and romance –
I strayed and like the boy in the story
suffered blindness, lost aim and was turned
to stone, life-forces frozen – petrified Peter.
Years crawl by, trapped in enchantment
until at last I let in the fact: I am, this is me.
The piper at the gate of dawn is admitted,
shows up, the old goat, Greatest Of All Time.
Sweet young Daphnis sits in the lap of the god,
plays his pipe, calls the tune, seduces age
in whose horny grasp the future is conceived:
the Word – not just words spoken or written,
but divine reality willed into being.
Innocence is delivered by ancient power
which itself is unleashed by eternal youth.
Age-old, ever-young, newborn, reborn:
both are my self – past, present and future.
* There are various stories in Ancient Greece about Pan, pastoral fertility god, half-man, half-goat who plays the pipes, and his lover, Daphnis, cowherd, son of a nymph and inventor of pastoral poetry. Turned to stone by a jealous naiad who loved him, he consoles himself by playing Pan's pipes but falls from a cliff and dies. My personal version reverses events and takes a different turn.