The Eruption of Vesuvius, Sebastian Pether 1825

eros

Morning Wood

after 'Norwegian Wood' by Lennon/McCartney

 

I dreamed of a boy

I wish I could say he dreamt of me.

He stood in my room

Isn’t it good, morning wood.

 

He told me to watch

as he took off his clothes one by one.

I couldn’t say no

when he promised me that we’d have fun.

 

I lay on my back watching the show

fearing he’d go.

He was down to his briefs when he said,

‘It’s time for bed'.

 

He said, ‘You’re quite old, and me,

I’m still in my teens.

I’ll do anything that you like

but it’s all in your dreams.’

 

Then, when I awoke, not so cool,

he’d gone to school.

So I had a long lie

Isn’t it good, morning wood.

 

Let’s Dance

From Unholy Verses, Sacred Songs

I was born into this body, I can twist and shout

I’m happy being me - only one doubt:

I’m sure

There’s no door

I came in by the entrance but there’s no way out.

 

I’m stuck inside this body, it takes its course

Has a mind of its own, obeys its own laws

Can’t you see?

You set me free

You can have mine if I can have yours.

 

When we get together, I feel real emotion

Like flying in space or swimming in the ocean

Let’s dance

More than once

I only come to rest when we’re both in motion.

 

I’m fighting with my body, it pulls me in two

I want to be alone with it but that won’t do

We meet

Real neat

The thing about my body is, it leads me to you.

 

I’m lost inside my body, but baby, you

Are my magnetic north, its true

No doubt

I’m going south

Whichever way I turn, my needle points to you.

 

When we get together, I get a special feeling

Lying or standing, crawling or kneeling

Let’s dance

More than once

When we’re on the floor, my head goes through the ceiling.

 

When we are together, the waves start crashing

I’m out of my depth in all this passion

Let’s dance

More than once

It’s the oldest occupation and the latest fashion.

 

 Published in an untitled student zine by artist and designer

Bevin Richardson

The Fool

He walks on by in his tight white pants

that handsome boy, so arrogant –

self-sufficient, thinks he's cool,

not knowing he needs me – what a fool.

 

He glides past, aloof as a swan,

grown like a man, cruel as a child,

not pausing even to toss me a glance

let alone one of his heart-stopping smiles,

 

leaving me desperate, down in the dirt,

scars on my soul and stains on my shirt.

His pretty white bottom moves off into town:

once I was him, now an old clown.

 

Shorts

or, The Lovesick Student

 

They’re soft, smooth and silky

and though they’re made for sports

I just want to make love to

my tight white football shorts.

 

I love them clean or filthy

long or short, all sorts

old and faded, young and fresh

my bulging little shorts.

 

I eye well-fitting uniforms

sailors in the ports

firemen, guards and bell-hop boys

squeezed into shorts.

 

Everyone’s gone swimming

I just have steamy thoughts;

it’s a sunny day but I won’t play

I’m inside with my shorts.

 

If they come to call me

I’ll say I’m out of sorts

I don’t want to come outside

I’m coming in my shorts.

 

But if you teach me kindly

and give me good reports

and love me too, I’ll go for you –

have me in my shorts.

 

Pan and Daphnis* 

I am pipe-playing Pan, libidinous 

satyr, randy old goat, crafty, ancient  

as hills, guarding the irrepressible  

fountain of youth that wells within, its bore  

the thrusting trunk of a tree that seeds  

ten thousand stories, songs, imaginations. 

 

And I am innocent Daphnis, virginal  

country boy, eager to please, all-too self-willed. 

Attracted by the lure of the nymphs of this world –  

acceptance, popularity and romance –  

I strayed and like the boy in the story 

suffered blindness, lost aim and was turned 

to stone, life-forces frozen – petrified Peter. 

Years crawl by, trapped in enchantment 

until at last I let in the fact: I am, this is me. 

The piper at the gate of dawn is admitted, 

shows up, the old goat, Greatest Of All Time. 

 

Sweet young Daphnis sits in the lap of the god, 

plays his pipe, calls the tune, seduces age 

in whose horny grasp the future is conceived:  

the Word – not just words spoken or written,  

but divine reality willed into being. 

Innocence is delivered by ancient power 

which itself is unleashed by eternal youth. 

Age-old, ever-young, newborn, reborn: 

both are my self – past, present and future. 

 

* There are various stories in Ancient Greece about Pan, pastoral fertility god, half-man, half-goat who plays the pipes, and his lover, Daphnis, cowherd, son of a nymph and inventor of pastoral poetry. Turned to stone by a jealous naiad who loved him, he consoles himself by playing Pan's pipes but falls from a cliff and dies. My personal version reverses events and takes a different turn.